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Here Beyond 

 2021

Oil and acrylic on canvas

141 cm x 108cm

50cm x 50cm 

Here Beyond seeks to disrupt the western epistemologies which view landscape through a colonising and binary lens. The traditional understandings and depictions of landscape which assign boundaries between the inner and outer, subject and object and assert at every turn “the ‘proper’ boundary between self and world” (Franke 2012) have historically been employed to uphold the positional superiority of the western imagination. The project Here Beyond attempts to imagine for itself a new way of perceiving landscape which does not draw such boundaries between the physical terrain, the weather, storytelling, and the viewer, among the myriad of other elements that come together to make up what we have come to know as the land. The field of painting within this body of work is an emergent or unfolding act of becoming, formed at the intersection of the imagined, the affective and the material. The works are presented as incorporeal place-scapes which nonetheless hold within them all the contours, depths, heights, and terrains of a physical landmass. The affects pile up and subsume as sediment does, subject to the winds and tides of the human experience. The work is seen as an intermediary zone, a meeting ground in continual evolution.

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Everything Sings 

SITE8 Gallery - 2021

Oil and acrylic on canvas

212cm x 350cm

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Untitled #1 and #2  

SITE8 Gallery - 2021

Oil and acrylic on canvas

257cm x 194cm

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Everything Sings #1, #2, #3, #4 and #5 

2020

Digital Graduate Show - RMIT

Oil and acrylic on board

1200mm x 900mm x 3mm

Everything Sings is a series of oil paintings that represent the internal landscapes that exist in the metaphysical spaces beneath or beyond our incessantly thinking minds. In the quiet moments between thoughts, when our senses gently wander, one may find a feeling of spaciousness within which the world seems to sing.

“Imagine the bright colours of Nature shaded of until they almost, but not quite fade into a dream; or this clear-cut world adrift in a sea of mist. Use the magic hand of sleep to smooth of all the sharp corners from reality, and then set it, thus tempered, gently pulsating” (Natsume Soseki).

Through colour I attempt to articulate this vibratory force as it inhabits the space between things; between atoms, between breaths, and the internal landscapes that exist between our thoughts and feelings.

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